Interviews

It's been fifteen years since Men in Black first brought a cinematic version of the comic book created by Lowell Cunningham to movie theaters across the world.  The film introduced audiences to an extra-governmental force tasked with covertly carrying out extraterrestrial policing on Earth, and did so with a witty comedic sensibility not as present in the source material.  The result was an international success that captured the zeitgeist in 1997 and helped propel Will Smith to global stardom.

After a decade without a hint of Agents J or K since Men in Black II, the franchise has been revived with a third sequel that sees Smith and Tommy Lee Jones returning to their roles.  Director Barry Sonnenfeld is also back to tell another story of the MiB organization.  For the third outing, an intergalactic biker played by Jemaine Clement travels back in time to settle a score with K and pave the way for an alien invasion.  With no other choice, J must journey back to 1969, teaming up with a younger K, played by Josh Brolin, to save the future.

At the Los Angeles press day for Men in Black 3, IAR Managing Editor Jami Philbrick was present to gain some insight on the latest science-fiction comedy.  Stars Will Smith, Tommy Lee Jones, and Josh Brolin were all in attendance to discuss the sequel, their roles, working with visual effects, and prominent ears in 3D.

Dustin Lance Black is a screenwriter, producer and director, having won the 2009 Academy Award for Best Original Screenplay for Milk, the biopic of the late gay rights activist Harvey Milk starring Sean Penn. Additionally, Black wrote the screenplay for J. Edgar, directed by Clint Eastwood and starring Leonardo DiCaprio which earned him a Golden Globe nomination. Black earned his chops writing on HBO’s Big Love quickly climbing the ranks from staff writer on the series to executive story editor to co-producer. Black’s newest film Virginia, which he wrote and directed, is loosely based on his own childhood experiences growing up in the South and is now playing in theatres.

Virginia stars Jennifer Connelly (Requiem For A Dream, A Beautiful Mind) in the title role as a beautiful yet unhinged single mother who struggles to raise her son Emmett (Harrison Gilbertson) while dreaming of escaping her small Southern boardwalk town. Her longtime affair with the very married, Mormon Sheriff Richard Tipton, played by Ed Harris (A Beautiful Mind, Pollock), is thrown into question when he decides to run for public office. Things are further complicated when Emmett begins a romantic relationship with Tipton’s daughter, played by Emma Roberts (Nancy Drew, Valentine’s Day). Virginia and the town – populated by Amy Madigan, Toby Jones, Yeardley Smith – are full of secrets and everyone knows Virginia can only keep things together for so long. Virginia is a funny, touching drama that looks at the American Dream and what it takes to keep it together.

I recently had a chance to sit down and chat with Dustin Lance Black about Virginia. The Director spoke about Schizophrenia, his southern Mormon upbringing, the American Dream, working with Jennifer Connelly, the exhaustive effort of researching the biopics he wrote, and his upcoming projects.

Dallas Richard Hallam and Patrick Horvath are the writing / directing duo behind Entrance, an indie, slow-burn horror film / psychological thriller. It’s a slasher film in which you might not even realize it’s a slasher film until you’re a good deal of the way through it. Entrance is about Suzy, played by Suziey Block (The Island), a lonely young woman in Los Angeles who begins to develop a growing case of anxiety and uneasiness living in the city. The movie is about the limits of our perception, how things lurking in our periphery of our lives can lead to horrific conclusions; and it’s about how Suzy fell out of love with the city of LA but the city wouldn’t let her go. It is also one of the most unique and unnerving films I’ve seen in a quite a while. Entrance is now playing in theaters, as well as IFC Midnight Cable VOD and Digital Outlets (SundanceNOW, iTunes, Amazon Streaming, XBOX Zune, Playstation Unlimited).

I recently had the chance to speak with Directors Dallas Richard Hallam and Patrick Horvath about Entrance. The directors spoke about where the idea for the film came from, what films and filmmakers influenced them, creating tension and anxiety for the audience, their metaphor for Los Angeles, sound work, and their upcoming project.

David R. Brooks and Zev Brooks are the sibling filmmakers behind The Yankles, a film about an Orthodox Jewish baseball team with a very unorthodox coach. Though both brothers co-write the script, David helmed the direction of the film while Zev acted as Producer. The Yankles is a comedy about a hapless Orthodox Yeshiva baseball team that earns a ticket to compete in the college world series. The team hires Charlie Jones, played by Brian Wimmer (Footloose, Flipper) to coach. Charlie is a washed-up, ex-major league center fielder on parole for multiple DUI convictions and desperate to fulfill his community service. While The Yankles strive for success on the field, Charlie works to rebuild his reputation and relationships. The film, which has garnered numerous awards at domestic and international film festivals, is a hilarious and touching story about redemption. The Yankles opens in theatres today, Friday, May 18th.

I recently had the chance to speak with David and Zev Brooks about The Yankles. The filmmakers discussed their long, arduous seven-year journey to make a film with no prior track record and independent from any Hollywood or studio help. The brothers also discussed working with real-life husband and wife actors, tricks for shooting on such a tight budget, the stunts involved in shooting a sports movie, the themes in their film, and their influences.

On the same day that Sacha Baron Cohen, in character as General Aladeen, led an elaborate, absurd, and hilarious press conference at the Waldorf Astoria for his new film, The Dictator, a slightly more serious press conference was conducted with the films supporting actors, Sir Ben Kingsley (Gandhi, Schindler’s List) and Jason Mantzoukas (Baby Mama, The League). The Dictator, which is now playing everywhere, stars Sacha Baron Cohen as Supreme Leader, Chief Ophthalmologist, and excellent swimmer, General Aladeen, a misogynistic, anti-Semitic dictator of a fictional country in northern Africa called The People’s Republic of Wadiya. Sir Ben Kingsley plays Aladeen’s scheming uncle and Jason Mantzoukas plays Aladeen’s Chief Nuclear Scientist.

Along with other members of the press, I had a chance to sit down with Sir Ben Kingsley and Jason Mantzoukas to discuss The Dictator. The actors discussed the energy of New York City, what it was like working with Sacha Baron Cohen, trying not to break character, the phrase ‘just kidding,’ improvisation, Arab Spring, accents, and beards.

The new comedic drama What to Expect When You're Expecting isn't based on the most likely source material.  Sure, the book of the same name by Heidi Murkoff has consistently topped bestseller lists since first being published in 1984.  In three subsequent editions since then, it has sold almost 15 million copies and become the go-to handbook for modern pregnancy.  That's what makes it an unlikely movie: it's a self-help text, a practical guide filled with information and tips on the different stages of pregnancy and early childhood.

The film version, Kirk Jones and co-written by Heather Hatch and Shauna Cross, incorporates Murkoff's applicable advice into a narrative feature by telling five interconnected stories of pregnancy, each with their own couples and circumstances.  That means What to Expect When You're Expecting stars a sprawling ensemble cast, including Jennifer Lopez, Cameron Diaz, Elizabeth Banks, Rodrigo Santoro, Chris Rock, Brooklyn Decker, Matthew Morrison, Anna Kendrick, Wendi McLendon-Covey, Ben Falcone, Chace Crawford, Rob Huebel, and Joe Manganiello.

IAR Managing Editor Jami Philbrick attended the press day for this Lionsgate release in Los Angeles, where Murkoff and Jones, along with much of the all-star ensemble cast, enthusiastically discussed the book, making the movie, drawing from real-life experience, and working with lovely, talented ladies.

Back in March, director Peter Berg (The Kingdom) previewed Battleship at WonderCon 2012 and the director had a lot to answer for as the film has been surrounded by criticism practically since it went into production. The new film is, of course, based on the popular Hasbro board game of the same name and opens in theaters everywhere on May 18th. In addition to the somewhat ridiculous idea of basing a movie on a board game, it has also received criticism for its cast, which includes non-actors Rihanna, and Brooklyn Decker, as well as the alien invasion aspect of the film that has nothing to do with the original source material it is based on.

After a successful WonderCon presentation and panel, which included co-stars Alexander Skarsgard (HBO’s True Blood), and Brooklyn Decker (Just Go with It), director Peter Berg took some time out of his busy schedule to speak with IAR and several other members of the press about the upcoming film, its controversial cast, the origins of the project, and of course … aliens.

IAR Set Visit Preview: 'Rock of Ages'

Wednesday, 16 May 2012 16:25

Are you ready to rock?

Opening in theaters on June 15th is the big screen adaptation of the smash hit Broadway musical Rock of Ages, which was directed by Adam Shankman (Hairspray). The film truly features an all-star cast that includes Julianne Hough (Footloose), Diego Boneta (Mean Girls 2), Russell Brand (Arthur), Alec Baldwin (TV's 30 Rock), Bryan Cranston (Drive), Paul Giamatti (Sideways), Malin Akerman (Watchmen), Will Forte (MacGruber), Oscar winner Catherine Zeta-Jones (Chicago), singer Mary J. Blige, and international superstar Tom Cruise (Mission: Impossible - Ghost Protocol). 

Rock of Ages tells the story of small town girl Sherrie (Hough) and city boy Drew (Boneta), who meet on the Sunset Strip while pursuing their Hollywood dreams. Much like the musical, the film features rock 'n' roll hits of the era from such legendary artists as Def Leppard, Joan Jett, Journey, Foreigner, Bon Jovi, Night Ranger, REO Speedwagon, Pat Benatar, Twisted Sister, Poison, and White Snake

Found-footage films are not a new concept; especially in horror movies where the idea goes all the way back to ‘1999’s The Blair Witch Project and has been utilized in such recent hits as Cloverfield, the Paranormal Activity franchise and The Devil Inside. However, two films in particular this year, Chronicle, and Project X, have pushed the envelope by incorporating the found-footage concept into entirely new film genres. With Warner Bros.’ Project X, the technique was used to illustrate a high school party movie, and with 20th Century Fox’s Chronicle, which is available on Blu-Ray and DVD beginning May 15th, the concept was fused with the super hero genre to great success as the film was an international box office hit.

First time director Josh Trank, along with screenwriter and childhood friend Max Landis, created a found-footage story about three friends who find something mysterious that gifts them with unthinkable super powers. The film follows Seattle high-school seniors Andrew (Dane DeHaan), his cousin Matt (Alex Russell), and Steve (Michael B. Jordan), as they form a close bond after receiving telekinetic abilities from an unknown object. The boys use their newfound abilities for mischief and personal gain until Andrew begins to utilize them for more nefarious purposes. Since the initial success of the film, Trank has been mentioned as a possible director for several upcoming comic book based films including a Fantastic Four reboot, a Venom Spin-off, and an adaptation of Image Comic’s The Red Star.

In honor of the Blu-ray and DVD release of the film, I recently had a chance to chat with director Josh Trank about Chronicle, as well as his rumored involvement in those upcoming comic book adapted film properties. Trank discussed his recent movie, developing the story with screenwriter Max Landis, marrying the super hero and found-footage genres, his actual cinematic inspirations for the film, what the studio wanted him to change, the technical aspects of directing a found-footage movie, and which comic book-based film he will direct next.

If you’re a Hollywood A-Lister, than you have most likely worked with, and have definitely heard of, visionary Costume Designer Colleen Atwood. She’s worked with the best of the best and when you see the upcoming film Snow White and the Huntsman, you’ll know why that is.

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